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Drawermice

I was just folding and putting away laundry, and as always when I put away my lacy Calida underthings, said hello to my drawermice… and then realized that I haven’t introduced you to them yet.

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Here they are. They don’t have particular names, so we’ll call them Tom Thumb and Hunca Munca. They live in my Calida drawer, where they make everything smell of lavender. They’re stuffed with it, you see. They’re very quiet at night and don’t disturb me at all–I suppose they must have wonderful long conversations, but I don’t hear them.

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They are made from the LittleMouse pincushion pattern, but instead of being stuffed with sand, they’re full of lavender and a little cotton batting to fill out their noses. The clever construction of their bottoms makes it easy to fill them with fresh lavender when needed.

Drawermouse is a pun on dormouse, of course. It’s very easy to set up a production line to make a lot of these and fast… one could save a lot of time by making the ears out of felt, I think. Even if you make the ears from matching fabric, as I have, you can get four of them out of a single fat quarter.

Wouldn’t you like to have a mouse in your house?

Pins and jars and scissors and thread

One of the many things to like about maintaining a blog is that it does require maintenance. It is probably the German in me, but I do feel obligated to put something here at least every couple of days, and I am always thinking of what to blog about next. Fortunately, I have more blog fodder than I get around to blogging.

You have seen a lot of my cooking and other eating lately, and a lot of my half-baked decorating (I ordered the woodsy prints, by the way, hooray!) because the crafty side of my life is lacking infrastructure. I have ordered a gigantic set of shelves to put in my sewing room, which will house all of my yarn and fabric. The shelves are scheduled to ship on September 13. Until then, my sewing room is basically unusable, and depressing to look at. So I don’t go in there.

I was time, though. Time to stand up, and say enough is enough! A crafter cannot live by sock knitting alone! I need variety! I need spunk! I need to do something DIFFERENT.

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Et voila, I made myself do it. This is another idea of Martha’s, the sewing kit in a jar. I found these adorable 250ml Ball jars at Target a couple of months ago, and snapped them up knowing exactly what to do with them. They’re so special–they even have silver rings instead of gold.

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The first joke on me was that I decided that, because I was using medium-loft batting to stuff the tops, I needed only five circles instead of the prescribed ten. As you can see, ten would have been just fine. As it is, they are good for temporary pin storage, but I wouldn’t trust them to hold pins permanently, or in transit, or around animals and small children.

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I adore Ball jars, and Mason jars, and canning and preserving (even though I don’t want to do it myself, I’m glad that other people do it), and I especially adore boxes of all kinds. Is it because I like to organize? Is it because I like to pigeon hole? Or because I like to keep things, and collect things, and have them and store them and look at them? Am I an Enlightenment scholar making a library-museum, or am I just a mouse stuffing its hole full of good things?

The second joke on me? These jars are so teeny that the little crane-shaped scissors I bought to put in them don’t fit. Oh well, I’ll just about to do another batch sometime! Quelle dommage. So I just stuffed one with pink and cream and brown linen embroidery floss, for the photos. I am sure I’ll think of other things to stuff them with.

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The fabric is Evelyn by Anna Griffin, of course. In pink and brown and cream, of course. And these were made with scraps left over from a quilt top… of course. But you knew that.

ETA: These jars are available to order from Canning Pantry. They are the half-pint Ball collection widemouth platinum superduper ultramega all that with a lime twist jars. There is a full pint version, too. You know that I ordered some.

Tomatoes and strawberries

What to do with all those scraps leftover from sewing projects…

Yes, I’m rolling on the floor laughing, too. As if dealing with leftovers was a problem! There are doll quilts and clothes, tiny stuffies, scrap quilts, crazy quilts, yo-yos, banners, and pincushions just to name a few of the many things that can be done with small pieces of fabric. All of my quilts are based on bundles of fat quarters because I just can’t get enough of scrappy, scrappy, scrappy. Of course, twenty different but carefully matched fabrics is not so veeeery scrappy, but oh well.

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Tomato pincushions are my very favorite thing to do with whatever scraps may be left from the fat quarters, after I’ve made the scrappy quilts. They do take rather a commitment, needing 3×6 or 4×8 or even 5×10 inches on the bias, but if the quilt had any 45 degree seams, you probably have exactly such large triangles left over to use. All you do is cut out the rectangle on the bias, sew the short edges together, gather up the bottom with needle and thread, then stuff firmly and gather up the top with thread. I also use perle cotton to divide them into segments, and then finish them off with felt sepals. How cute, non? I got the instructions from Martha Stewart Living but I unfortunately cannot find them on her website, or I would link. Sorry Martha! These tomatoes are so adorable, I’ve made a whole bunch.

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They live in a glass fishbowl jar in the guest room, and match the quilt there just perfectly. I have quite a lot of red and green scraps left over from the red and green summer quilt, so look for lots more tomatoes in my future.

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Ah, but the strawberry pincushion instructions she does still have. Is it possible for something to be cuter than the tomatoes? I’m sorry, I can’t commit to an answer. These are filled with fine sand instead of stuffing, and take an even smaller scrap of cloth than the tomatoes–a wedge shape, also perfectly suited to those odd corners so often left over.

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Cute as the cloth ones are, I am partial to the felt version. There is no pattern to detract from beads-beads-beads-beads-beads, and less sand leaks out of the seams. They’re so soft, too. Hey, I bet that these would be great filled with dried lavender, don’t you?

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Mmmmm. I don’t care to make my own jam like Jane (because there is more interesting jam in the stores than I can eat, and anyway, my mother is always bringing me jars of her own), but this kind of bottling is something I can get behind.

Padded book covers

Or, Who Needs Martha?

Padded book covers! This is #4, after three failures, all of which failed because I thought I was too smart to use a straightedge.

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This book cover is meant to fit any of the Barnes & Noble Pocket Library editions–which have sadly been discontinued. I have all six of Jane Austen’s novels, which I like to take with me when I travel. The ribbons tie, to keep the book closed while it’s in your purse or carryon, and the padding protects the cover from bumps and dents. An optional loop along the spine holds a pen.

The cover consists of a padded body with two pockets, to hold the cover on to the book. To sew the cover, you will need a fat quarter of fabric, some low-loft batting, and ribbon.

Body pieces (x2): 7 3/8″ x 10″ (this will fit an average book; some are much slimmer and some are much fatter)
Pocket pieces (x2): 7 3/8″ x 4″
Batting: 7 3/8″ x 10″
Ribbon: two 10″ pieces

Fold back one long edge of each pocket piece 1/4″ and press, then fold over again 1/4″, press, and sew down.

Now build a sandwich in this order:
* One body piece, right side up
* One pocket piece at each end of the body piece, right side up, with the hemmed edges facing to the center and the raw edges matching those of the body piece
* The two pieces of ribbon, crossing the raw edges at the center of each pocket piece’s long edge, overlapping the edge by about 1/2″ to keep the loose ends from getting sewn down
* The other body piece, wrong side up
* The batting

Sew a 1/4″ seam around the edge of the sandwich, leaving the distance between one corner and one ribbon end open. Trim corners and edges, to reduce bulk. Turn the piece through the open edge. Being very careful to fully open all corners and edges, iron the seams flat. Pay attention to the raw edges of the opening, making sure that they are turned inward 1/4″. Now, sew a 1/8″ seam around the entire edge, making sure that the raw edges get sewn in.

Modifications
* To make the book cover with a loop on the back (handy for holding pens, or hanging reading glasses), make the cover pieces 7 3/8″ x 11″. After you have completed all other steps, fold the cover in half and sew 1/2″ in from the fold.
* This size cover fits the medium and thick books in the B&N Pocket Library series. To make covers that fit snugly on slimmer books, make the cover pieces 7 3/8″ x 9.5″.

Enjoy your book cover!

(a forward-dated post)

Vanity Fair: Bleeker Street

IMG_2904 This recipe makes one serving.

1 cup milk
1 teaspoon sugar
1 heaping spoon dark cocoa powder (I am still using my stash of Pernigotti from Williams-Sonoma, but it has been discontinued)

Put water on to boil. While it boils, heat up your milk. I put mine in the microwave for at least two minutes, to make sure it’s very hot. Put the sugar and the cocoa in your mug, and when the water boils, pour in just enough–only a tablespoon or two–to mix up a thick, dark sludge in the bottom of the cup. Pour the hot milk over, and mix thoroughly. Drink up while it’s still steaming.

I’ve been keeping my eye on the Pillivuyt chocolate pot (scroll down to see it) for years now, but had never been able to justify the price. Happy me when, a few weeks ago, I discovered Klinq.com, which sells a similar pot at a much more reasonable price. I ordered immediately, and you see the pot above and below.

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The stick is called the muddler, and it is used to whip the chocolate into the milk. You run it back and forth between your hands as if trying to start a camp fire.

I love the idea of drinking chocolate. It has an interesting place in Western culture because it’s the only stimulating drink I can think of that has never been the focus of a genre of public house. On the alcoholic side of things, there have always been taverns, wine bars, and cocktail bars, all waxing and waning in popularity through time and across countries. Non-alcoholically, tea rooms had their hayday and I hope are now making a comeback, and coffee houses are both currently and historically popular. Dr. Johnson hung around coffee houses, and in Vanity Fair poor Mr. Sedley goes there for his “slabs of paper and cups of ink” every day.

Chocolate, on the other hand, is private. In Vanity Fair, women with pretensions drink it for breakfast. For example, “Miss Crawley, be it known, did not leave her room until near noon–taking chocolate in bed in the morning, while Becky Sharp read the Morning Post to her, or otherwise amusing herself or dawdling.” And later when Becky acquires her own domestic slave, “He carried the letter, as he did all difficulties, to Becky, upstairs in her bedroom–with her chocolate, which he always made and took to her of a morning.”

Somehow, I’d gotten these two passages conflated in my head, and further gotten confused by the memory of Becky reading French novels to Miss Crawley. I’d been laboring under the impression that, in her prosperous days, Becky spent her mornings in bed, drinking chocolate and reading French novels. I was wrong. It was a delightful fantasy anyway, and I had it in mind when I decided to cut into my Bleeker Street fat quarters and make a chocolate set, to go with the pot and the French coupes (bought at Target).

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There are four napkins with rickrack edging, and a tray mat that is reversible with beaded edges. I made it by tracing around the tray with a disappearing-ink pen, then sewing right around the line. One loses enough size in turning it that it fits comfortably inside.

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I still have six of the fat quarters left. I’ve been toying with the idea of quilting two of them together and making a chocolate-pot-cozy, which would be complicated, silly, and delightful. I might, on the other hand, extend this into a tea set by making a tea cozy (less complicated, less silly, less delightful) and a hot pad. We’ll see. My poor workroom is half packed up at this point, and who knows when I’ll have the presence of mind to unpack and organize it at the other house.

Would you believe that I have four Rubbermaid bins plus three more packing boxes full of yarn?

Marcus Brothers Madness

Well, I don’t have my camera, but I do have my scanner. So here are my new quandaries:

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Bleeker Street by Marcus Brothers

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Metro Blue by Marcus Brothers

These aren’t the kinds of colors that go with my house or my decorating, but they’re beautiful and I thought that the fat quarters packs would make good stashbuilders. I’m so full-up of quilting commitments that I’d like to sew something with these–but what? What comes to my mind are lots of little somethings, like book covers or handkerchief sachets. I definitely don’t need any more of either, though, and they just didn’t sell on Etsy. So what? An infinite number of lavender sachets, or pincushions? Please chime in! I need help!

Cushion covers

Well, I’ve finally knocked out the three cushion covers that I bought all of the cute red florals for.

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My feelings about the results? Meh. As I have said many times, and will continue to say, there are people in the world who can sew straight seams. I’m not one of them. The covers are all straining across the cushions too, making me wonder if I shouldn’t buy smaller fillers. Oh well. I really feel that they could all use MORE ornamentation. Well, I can do that. I have plenty of trimmings left over, that I will… someday she says… sew on by hand.

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They will eventually sit on the red and green and white Maison de Noel quilt, which my mother says she is sewing the binding to at this very moment. Then it will all go on the white iron bed in the guest room. The black and white stuff you see here is my current guest room, which will migrate to my study in the new house. I’ll cover my beloved green loveseat with the quilt.

IMG_2819 The fabrics with white backgrounds are all from various Mary Rose by Robert Kaufman collections; the red backgrounded one is from the Ellery collection, and the large diamond print I can’t remember. I bought them all from Shabby Fabrics, your one-stop shop for all textiles faded and floral. All of the trimmings came from Jo-Ann’s… lace, ball fringe, eyelet, and I have silk roses, ribbons, and some red daisy-shaped lace waiting in the wings for the next time I feel like doing hand work.

There! Cushions!