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Fabric dreams

I have had the de-cluttering bug since yesterday evening. I re-organized the containers of things on my deck, I cut back the Spring bulb greenery, I organized my sewing table, I cleared off my dining table… and I want to use up some of this fabric that has been sitting around for years. I have three cases:

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This is not such a hard case. After looking through Miss Rosie’s Quilt Collection, I’ve decided that these green prints and white-on-whites are destined to be an American Pie quilt. I’m itching to start cutting the pieces–good thing I cleared off my sewing table last night!

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These adorable assorted prints were bought just for the sheer joy of them. I am now thinking that perhaps I should make cutie-patootie baby dresses out of them, to give away and to sell on Etsy.

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And lastly this lovely spread, which I showed you on the Fourth of July last year. Hmmmm. Possibilities… possibilities… I just don’t know quite what these would be good for. Mixed with white-on-whites for a gorgeous summery quilt? Even more cute little-girl dresses? Napkins for Fourth of July picnics? Eating? Do you think I could eat these? Because I’d like to.

Thimbleberries and optimism

After yesterday’s disappointment with Flock of Triangles, I moped for about thirty seconds, then I rallied with an idea for another quilt, made out of Thimbleberries fabrics and involving triangles, but only in the easiest possible way, that I have handled before and am sure I can handle again. There are a lot of quilt shops in the vicinity, but only one with any sizeable amount of Thimbleberries–and she just happened to be in the store yesterday, so my mother and I braved the icy roads. There was fabric at the other end, you know, and a very friendly calico cat.

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I spent yesterday cutting out a metric load of squares and today I am beginning to sew. I am full of optimism. Every single point in this quilt top is going to be… pointy.

These colors are traditional sorts of colors, I suppose because they resemble colors that can be achieved with natural dyestuffs. By the way–if you are ever at loose ends about what to do with ten minutes, read up on dyestuffs and pigments on Wikipedia. It’s wonderful. Anyway: my own house is full of light, clear colors, and these muddy ones don’t go at all. But I have always admired the effect of lots of these kinds of quilts piled together, and the way that the colors all go together no matter what, and anyway I’m steeped in Kim Diehl and Lynette Jensen books here, so I’m in the mood. Hooray!

Pink and orange and brown

Second shinkendo class tonight. Rawr. It’s fun, but it does eat up the evening.

Color evolution. We moved through pink and black to pink and brown, sidestepped to pink and duck-egg blue, then went back to pink and brown and added cream to the mix (and sometimes a little green).

At this point, the evolution split. Pink and cream and brown has evolved into red and cream and brown, but also–for you people who like that sort of thing–pink and orange and brown.

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Wellll, okay. I can see where you’re coming from. These cuts from Anna Griffin’s Evelyn collection have more of a salmon color than orange, really. The salmony orange gives the whole collection a nice “zing” that it wouldn’t have otherwise. Because it doesn’t match anything else in my house, I am keeping it out of quilts, but I did buy these small pieces for crafts projects.

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And then there is the sock yarn. On the left, a Regia yarn, on the right, a Sockotta. The Regia has added gold to the mix, in what I interpret as a flagrant throwback to the 1970s. I dunno. I’ve spent a lot of time trying to decide how I feel about this color combination as I knit the socks, and I think that I like it.

The Sockotta, though you can hardly see it in the picture, has purple in addition to the other colors. I have already knit one sock but cannot for the life of me find it anywhere. I think it must be in one of the enormous 20-gallon ziploc bags, but no amount of digging around in those has revealed it. Oh well. Adding purple makes the combination mellow. I like it, too.

Oofa. And now I’m going to collapse into bed… after taking some anti-inflammatories. Most of those sword angles are seriously not natural.

Brown and white and red (and yellow)

Eeeeeeeek! I have Peppermint Mocha socks!!!

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They’re thick and squishy, droopy and down at the heel. I like them very much. Aren’t the colors scrumptious? I really can’t decide if they’re actually peppermint mocha, or if they’re cranberries and eggnog and gingerbread. What do you think? Anyway, they’re practically edible, and they were a treat to knit.

Claudia Handpaints Sport Shorts in “Peppermint Mocha,” two hanks. Heel-toe number 8, increase to 44 sts around. Size US3 needles. Colorway exclusive to The Loopy Ewe.

I’m all revved up about brown and red and white, now. I’ve been getting packages in the mail all week:

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First the red half-yard cuts from Maison de Noel, to add to all of the other colorsways that I already had. I don’t really know what I was thinking, because I’m still going to make a queen-size quilt with the brown, cream, pink, and green, and there will be precious little left over. But it was a moment of weakness, and my collector’s spirit took over. It makes a nice picture, doesn’t it?

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Fat quarter bundles of Roman Holiday, from The Fat Quarter Shop. I know precisely what I’m going to do with these: make a quilt of red and brown eight-pointed stars, widely set in a cream-on-cream ground. It will be stark and beautiful, but warm at the same time. Now… um… me setting in those squares and triangles? Pray for me, dear readers. It will be a challenge.

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The bundle of Ellery fat quarters from Shabby Fabrics, in brown and red and yellow. What do I have up my sleeve for this? Oh, I’m so glad you asked, because when I ordered this I didn’t have any ideas, but as soon as I unwrapped it, it became clear. My study has yellow walls, right? And a red carpet, right? And will be filled with paintings of autumnal woodlands? Well hello, I obviously need to make some patchwork cushion covers out of this fabric! It’s perfect! Hooray, hooray, hooray.

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Because the peanut gallery demands it, a picture of The Study In Progress. Behold the Deskosaurus. Behold the Billy bookshelves. Behold the blank expanse of yellow wall, where Moran’s Autumnal Woods will someday hang. Happy sigh.

Color evolution

I have been knitting a lot and reading knitblogs for almost three years, now (my official anniversary is sometime around Labor Day, when my mother gave me a sweater’s worth of Cascade 220 and a copy of Vogue Magazine. I still have not finished that sweater). In that time, I have seen slow shifts in taste with regard to color, and I think it’s fascinating to watch.

For example. Three years ago when I started this, the fashion world was in the grip of the Pink And Black thing. Suddenly all pinstripes in women’s clothing were pink. You know what I’m talking about, and you still have a pair of those trousers in your wardrobe. It was the rebirth of pink–its re-inauguration, after who knows how many years (because I don’t remember it ever before in my lifetime) of being on the no-no list for everyone over six years of age. I’m so glad that pink came back.

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Then the black turned into brown. Pink and brown was hot. Two collections of Charleston fabric in brown and pink sold out practically before they hit shelves, and I’d bet that 50% of Moda lines produced from then till this day have brown and pink as two of the colorways. I like brown and pink. You know I do.

Duck-egg blue and brown was the side note. It is still the side note. Cite my “Lucy” socks, as well as my as-yet-unblogged Three Planned Sweaters From Rowan Yarn, which are all blue and brown. Charleston III was blue and brown (and it was shocking, and IV is back to pink and brown). I guess that the blue and brown is for people who never fully embraced the Pink Revolution? Well, yes, I guess.

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At some point, green became an acceptable addition to the pink and brown pair, and it was tempered with cream to create good value contrast among the colorways in Moda lines. I like this. I see it as a sort of Autumn/Wintry variation on the cheerful pink and green of my bedroom quilt. I have plans for this Maison de Noel fabric–I’m going to make a “spider web” quilt out of it. It will be super-cool and it will be easy, you’ll see. Some day I’ll do it. Some day… when I finally unpack the box that has my rotary cutter in it. Sigh.

What I left out of my order for this collection was the Berry colorway, a nice deep jewel-tone red. Unsurprisingly, I left it out because I was behind the ball. Moda was on the ball. They saw the next color evolution coming. And the next evolution? Well yeah, you know. Pink and brown and cream… and red. I’ve waxed lyrical about it already, and shown you pictures of sock yarn. What I haven’t told you yet is that…

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I got my hands on some of the Claudia Handpaints colorway “Peppermint Mocha,” which is exclusive to The Loopy Ewe. I’d previously bemoaned being unable to buy it. I had previously been close-minded. Turns out that there is… or at least was… plenty of it sport-weight. I soooooooo ordered.

I like the obvious textile-as-food association with Christmas: striped red and white peppermint candy, also brown mocha with a little tan foam on the top. Mmmmm. I really like the color combination, though. The red is brighter than I had imagined it being–the browns are not as deep–but it’s growing on me, especially as I knit it up into a pair of very thick and squishy bedsocks:

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Aren’t they great? This red-brown-pink-cream thing is really wonderful. I like it so very much that I’ve ordered a few short pieces of the Maison de Noel Berry colorway, and also was one of the two lucky people who caught the Yuletide Blessings fat quarter clearance at ShabbyFabrics:

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As with the yarn, the reds are brighter and the brown not as brown… in fact, it’s almost an olive here. I am thinking of making a lap quilt of tiny eight-pointed stars in these fabrics, separated by a cream-on-cream print. I am all about high-contrast motifs on neutral-on-neutral backgrounds, right now, and also all about matching socks to quilts, especially since these color vogues are developing so interestingly. In fact, there is a further evolution that I will blog about tomorrow…

Get ready for pink-brown-orange.

In The Pink

Oops, we did it again. My mother has quilted the top that I made from “In The Pink” fabric, designed by Robert Glass for Buggy Barn.

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Do I really need to go on about this collection of fabric? I mean, you can see that it is pink–my favorite color–along with wonderful shades of brown and cream and gold, exactly the colors of coffee, chocolate, tea, cinnamon, honey, cocoa, and sugar. You see the little star prints–you see that they make the whole thing sparkle like cinnamon toast, or like fairy dust. You see the homespun plaids, all cozy and primitive and charming and country. You see, you see, you see. No. I don’t need to go on about why it’s so wonderful.

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I pieced this quilt top in 48 hours earlier this summer, when I was visiting my parents at their little fishing cabin. That was a very busy visit–we looked at four other cabins and they placed an offer on the biggest and most comfortable. The little cabin then went on the market and sold one day later. They now live in the new, big, comfortable cabin full-time. I took advantage of their preoccupation by working on this quilt top nonstop until it was finished.

The quilting is not so wonderful as on previous quilts I’ve shown, because I interfered with my mother. I asked for medium-loft batting (hence the puffiness), and for a pantograph with stars in it (hence the goofy pattern). I have solemnly sworn to always let my mother have free reign with my quilt tops, from this point on. Hmmm. These pictures are my mother’s, by the way. The quilt is up in the sticks with her, still, and she will bring it to me on Labor Day.

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The backing is a gigaaaaaaaaaaantic stretch of cinnamon toast… maybe the biggest piece of cinnamon toast ever. The binding is going to be dark chocolate plaid, shot with pink. Happy squeaks just thinking about it.

Vanity Fair: Bleeker Street

IMG_2904 This recipe makes one serving.

1 cup milk
1 teaspoon sugar
1 heaping spoon dark cocoa powder (I am still using my stash of Pernigotti from Williams-Sonoma, but it has been discontinued)

Put water on to boil. While it boils, heat up your milk. I put mine in the microwave for at least two minutes, to make sure it’s very hot. Put the sugar and the cocoa in your mug, and when the water boils, pour in just enough–only a tablespoon or two–to mix up a thick, dark sludge in the bottom of the cup. Pour the hot milk over, and mix thoroughly. Drink up while it’s still steaming.

I’ve been keeping my eye on the Pillivuyt chocolate pot (scroll down to see it) for years now, but had never been able to justify the price. Happy me when, a few weeks ago, I discovered Klinq.com, which sells a similar pot at a much more reasonable price. I ordered immediately, and you see the pot above and below.

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The stick is called the muddler, and it is used to whip the chocolate into the milk. You run it back and forth between your hands as if trying to start a camp fire.

I love the idea of drinking chocolate. It has an interesting place in Western culture because it’s the only stimulating drink I can think of that has never been the focus of a genre of public house. On the alcoholic side of things, there have always been taverns, wine bars, and cocktail bars, all waxing and waning in popularity through time and across countries. Non-alcoholically, tea rooms had their hayday and I hope are now making a comeback, and coffee houses are both currently and historically popular. Dr. Johnson hung around coffee houses, and in Vanity Fair poor Mr. Sedley goes there for his “slabs of paper and cups of ink” every day.

Chocolate, on the other hand, is private. In Vanity Fair, women with pretensions drink it for breakfast. For example, “Miss Crawley, be it known, did not leave her room until near noon–taking chocolate in bed in the morning, while Becky Sharp read the Morning Post to her, or otherwise amusing herself or dawdling.” And later when Becky acquires her own domestic slave, “He carried the letter, as he did all difficulties, to Becky, upstairs in her bedroom–with her chocolate, which he always made and took to her of a morning.”

Somehow, I’d gotten these two passages conflated in my head, and further gotten confused by the memory of Becky reading French novels to Miss Crawley. I’d been laboring under the impression that, in her prosperous days, Becky spent her mornings in bed, drinking chocolate and reading French novels. I was wrong. It was a delightful fantasy anyway, and I had it in mind when I decided to cut into my Bleeker Street fat quarters and make a chocolate set, to go with the pot and the French coupes (bought at Target).

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There are four napkins with rickrack edging, and a tray mat that is reversible with beaded edges. I made it by tracing around the tray with a disappearing-ink pen, then sewing right around the line. One loses enough size in turning it that it fits comfortably inside.

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I still have six of the fat quarters left. I’ve been toying with the idea of quilting two of them together and making a chocolate-pot-cozy, which would be complicated, silly, and delightful. I might, on the other hand, extend this into a tea set by making a tea cozy (less complicated, less silly, less delightful) and a hot pad. We’ll see. My poor workroom is half packed up at this point, and who knows when I’ll have the presence of mind to unpack and organize it at the other house.

Would you believe that I have four Rubbermaid bins plus three more packing boxes full of yarn?

Happy Fourth!

Happy Fourth of July to all of you peas and carrots!

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What a great holiday. No rampant consumerism (or sour old fogies complaining about rampant consumerism), no religious overtones to trouble people, no blizzards or icicles and no preparation more complicated than buying some hot dogs and buns to throw on the grill. Hooray for the greatest of summer holidays! Hooray for fireworks!

Marcus Brothers Madness

Well, I don’t have my camera, but I do have my scanner. So here are my new quandaries:

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Bleeker Street by Marcus Brothers

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Metro Blue by Marcus Brothers

These aren’t the kinds of colors that go with my house or my decorating, but they’re beautiful and I thought that the fat quarters packs would make good stashbuilders. I’m so full-up of quilting commitments that I’d like to sew something with these–but what? What comes to my mind are lots of little somethings, like book covers or handkerchief sachets. I definitely don’t need any more of either, though, and they just didn’t sell on Etsy. So what? An infinite number of lavender sachets, or pincushions? Please chime in! I need help!